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</a> He gradually gave up painting, but began using cutouts long before that, said Nicholas Cullinan, a former Tate curator who worked on the exhibition for four years before moving last year to the Metropolitan Museum of Art in New York.
</a> He gradually gave up painting, but began using cutouts long before that, said Nicholas Cullinan, a former Tate curator who worked on the exhibition for four years before moving last year to the Metropolitan Museum of Art in New York.
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